Why Do People the World Over Celebrate the Dead in Autumn?

What is it about November 2 that makes it imperative for various cultures to honour their dead on this day?

Did you know that on November 2 every year, the dead manage to unite billions of living people all over the world?

Many of us know that it is ‘All Souls’ Day’ and that Christians visit the graves of departed family members. They lay flowers at their tombs and also light candles, which brightens these desolated cemeteries.

The lights remind us of Deepawali, but most of us fail to notice any relationship between these celebrations that, incidentally, are usually observed just a few days apart. In fact, we need to understand why it is during this October-November period that people all over the world celebrate the dead.

Why on earth does the line between the living and dead become the thinnest during autumn — when the spirits of ancestors and unsatiated souls come back to visit the living?

A cemetery lit on All Soul’s Day. Photo: kernsandcairns/Flickr (CC BY-NC-ND 2.0)

Let us try to understand this amazing phenomenon. Cultures and religions that are totally unconnected — all the way from Latin America to Europe and then to India and further on to Southeast Asia and the Pacific — believe in the same thing, that spirits of the dead are moving around freely in the world of mortals.

This is what the Markendeya Purana had said. “When the pitrus (the spirits of our ancestors) are delighted with sraddhas (offerings, rituals) they bestow long life, wisdom, wealth, knowledge, svarga, final emancipation from existence, and joys and sovereignty” (XXXII, 38).

Far away, we find that the famous French novelist, Marguerite Yourcenar, commenting that ”these autumnal rites are among the oldest celebrated on earth and in every country the Day of the Dead occurs after the last harvest, when the barren earth is thought to give passage to the souls lying beneath it.”

Come to think of it, more than 2,000 years ago, even the Romans observed a festival called ‘Lemuria’ with public sacrifices to propitiate evil spirits of the dead. They also visited cemeteries to share cakes and wines with the dead and it is this pagan ritual that was later subsumed by the Christian Church into All Souls’s Day in November.

Our tryst with our pitrs and bhoots begins with Pitru Paksha and Mahalaya in early autumn but continues through our ‘festival of lights’ that drives away dark spirits.

Let us recall how Kali Puja, that is observed on Diwali day in Bengal, Assam and Odisha harps repeatedly on the dead, the ghoulish and on cremation grounds. In fact, as we know the preceding day is called Bhoot Chaturdashi that is meant specifically to commemorate spirits of long dead people.

Even staunch Bengalis who celebrate dark Kali on the darkest day of the year, invariably place 14 lighted lamps in every possible corner of their abodes on the night before Diwali. They are meant to drive away those spirits that are evil — something like mosquito repellants.

Many Indians also eat 14 leafy vegetables for both their meals on this Chaturdashi or the 14th day of the dark phase of the moon, in the month of Kartika. This is supposed to act as an antidote against bhoots. And, let us not forget that Bhai Dooj is meant to ward off Yama Raja, the king of death.

Also read: Bhai Dooj, a Symbol of India’s Timeless Family System

In the month of Kartika, several Hindus have another ritual of hoisting lights on top of tall poles on their roof tops.

These are known as “akash pradeeps” or sky lanterns and are meant to guide spirits roving in the sky to kindly return to their Yamalok or literal underworld. This ritual has lost much off its popularity after phantoms started crashing multi-storied buildings or maybe they do not require our guidance any more because they use GPS.

In many parts of Uttar Pradesh, the festival of Kartika Poornima is celebrated as Dev Dipawali and Varanasi has a special custom of lighting thousands of lamps on the ghats, mid November.

But, let us leave our desi ghosts and go over to Mexico, where the second of November is celebrated as ‘El Dia de los Muertos’, the Day of the Dead. This dia is obviously a festival that dates back hundreds of years to pre-Christian rituals, more specifically to the ancient Aztec worship of death.

Mexicans actually have a lot of fun in lightening up the grim atmosphere. Several colourful processions are brought out — with people dressed as skeletons, ghosts and spirits.

To make sure that the ghosts who follow them home are not angry or hungry, Mexicans leave bottles of tequila and baskets packed with food and sweets outside the homes. The conscientious ones also leave pillows and blankets for them, to rest in their long journey.

People in Portugal, Spain and in other countries of Latin America also make special offerings called ‘ofrendas’ to please the dead.

Many line up at cemeteries to place selected flowers on the graves of their forefathers. The indigenous people of the Andes in South America have their own way of of venerating the tombs of their ancestors and they actually preserve their skulls at home for bringing out during such rituals.

A Brazilian offers respects at a grave on the occasion of Finados or Day of the dead, on November 2. Photo: Yuri Kiddo/Flickr (CC BY-NC 2.0)

On the November 9, these skulls are dressed up with clothes and cigarettes are inserted between their clenched teeth. Bottles of alcohol are invariably offered to them. In fact, throughout the year, the Andeans carry bones of their dead with them for protection.

Brazil declares a public holiday called ‘Finados’, Day of the Dead, on November 2 and their very grand rituals combine colourful cultural contributions from Africans, their former slaves, and also the conquered indigenous people. Ecuadorians make a special bread filled with sweet guava paste to satisfy their ancestors, while Guatemalan fly giant kites to reach their dead who are supposed to be flying around. 

 On the other side of the globe, the Catholics of Philippines make it a point to visit the graves of their ancestors to pay homage. Many go to the extent of spending the entire night in the graveyards, by playing cards, eating, drinking and even dancing.

A month before, Cambodians celebrate  ‘Pchum Ben’, one of their most important holidays of the Khmer religious calendar. They gather at pagodas, wearing white to signify mourning and pay respects to their ancestors during this fortnight-long festival. Buddhist monks help transfer their offerings of food and drink to their ancestors so as to alleviate their suffering in the other world.

Other Asian cultures also have identical customs and similar events a little earlier or late, depending on the their harvests. Buddhists and Taoists in China, Singapore and elsewhere spend August as the ‘Month of Hungry Ghosts’.

They honour their dead family members and at the end of the month, which is close to our Pitru Paksha, they organise a grand festival when millions of lamps are lit, to float in water bodies. Japan also has its picturesque ‘Obon’ festival of lamps in August, where food is dedicated for dead relations.

A Chuseok dinner spread in South Korea. Photo: crush with eyeliner/Flickr (CC BY-NC-ND 2.0)

In Korea, ‘Chuseok’ is a major traditional holiday in September, when ancestors are worshipped and their tombs and graves are cleaned up. Even certain denominations of Muslims in many countries respect their dead during the night of ‘Sab-e-Barat’ — which is held according to their strict lunar calendar. 

Celtic civilisations in Europe still hold on to several pre-Christian customs and their festival of ‘Samhain’ (pronounced as Sahm-wean) is on the October 1, which is either in our Pitru Paksha or very close it. They remember their dead and believe that they return home during this phase to garner respect and take food from their descendants.

Scottish and the Irish traditions also believed that spirits or mischievous fairies needed to be propitiated, to ensure that humans and their livestock survived the winter. After harvest, they enjoyed one last big feast, just before winter set in, where they invited the souls of dead kin and set a place at the table for them, with separate food and drink. A strange part of the festival involved people going door-to-door in costumes or in disguise, often reciting verses, in exchange for food.

This custom became the “Trick or Treat” ultimatum that American kids give to their elders during Halloween, as they knock at each doorstep in the neighbourhood, demanding that they be rewarded with cash, candy and gifts. Americans traditionally celebrated Halloween with hollow pumpkins where the eyes and lips are cut out in crazy shapes. The American Retail Foundation estimates that over 6 billion dollars or 40 thousand crore rupees are spent each year on sweets, cosmetics and ghoulish décor during Halloween. 

By now, we must all be pretty exhausted with our global journey. But then, what we learnt through this circumnavigation is that there is a unique (or eerie) strand of unity that binds the dead together — to come out, almost in unison. If people across this planet can celebrate death so harmoniously, and the dead could bring us all together, can we, the living, not take some special efforts to remain together — in peace? 

Jawhar Sircar is a former India Administrative Service officer.

Bhai Dooj, a Symbol of India’s Timeless Family System

While Raksha Bandhan is mentioned profusely in the Bhavishya Purana, Bhagawat Purana and Vishnu Purana, Bhai Dooj appears to have arisen out of folk traditions.

It is rather astounding that India is the only country in the world that reserves two special celebrations for siblings to shower their affections on each other. The first being Rakhi or Rakshabandhan while the other is Bhratri Dwitiya which is popularly known as Bhai Dooj in north India.

In Bengal, the festival is called Bhai Phota and the same day is observed as Bhai Beej or Bhau Beej in Maharashtra, Gujarat and the Konkan. In Nepal, this Bhai Tika is almost as important as Dussehra and it is also called Yama Dwitiya in South India. While most parts of India consider Bhai Dooj to be an integral part of five-day festival of Diwali, Bengal just has to differ.

A still from Satyajit Ray’s ‘Pather Panchali’ where young Apu and his sister Durga’s friendship is shown with particular grace.

It celebrates Deepawali, the glorious night of bright lights, as the darkest night of the year and worships Kali, not Lakshmi. In the same dissident vein, it treats Bhai Dooj as a distinct ritual that comes two days later — and true Hinduism, as we shall see, has always respected variation and dissent. On Bhai Dooj, by whatever name we call it, sisters have always prayed for the safety of their brothers, by performing a small aarti ceremony and applying a prominent tilak or tika on the forehead of their brothers — as a talisman against any danger or misfortune.

Supposedly, Krishna’s sister, Subhadra, was so delighted to see him unharmed after his battle with the evil demon Narakasur that she applied a sacred tilak on his forehead. This is supposed to have inspired Bhai Dooj but frankly, this tilak of protection may actually have been more useful before Krishna went to battle.

While there are not many references to Bhai Dooj in sacred literature, it appears to have arisen from folk traditions. On the other hand, Rakhi or Raksha Bandhan is mentioned quite profusely in Bhavishya Purana, Bhagawat Purana and Vishnu Purana. Hinduism has always found a place for folk festivals and rituals, as have other major religions of the world.

The real spirit of Hinduism has always been more accommodative and tolerant of all — not rigidly standardised as some are insisting in recent times. Besides, the Shastras do not usually get into religious practices where the priest or purohit has no role because the chances of securing economic benefits, like daana or dakshina in such cases, are remote.

Also read: India’s Many Diwalis, Proof of the Unity that Comes Through Diversity

But justificatory sacred tales are a must and the most convincing story of the origin of Bhai Dooj recalls that on this day, Yama, the god of death, meets his sister, Yamuna, which calls for a great celebration. In the British colonial records is an interesting account given to the Asiatic Society by the famous orientalist, Horace Hayman Wilson, more than two hundred years ago. He mentioned that Indian sisters believed “that by this means the lives of their brothers will be lengthened and Yama, the regent of death, will have no power over them”.

Wilson quotes the favourite lines of sisters who said then, as they do even now in many parts of India:

“On my brother’s brow I have made this mark
And thus have I bolted the door of Yama!”

Indologist Wilson also notes that the sisters go out of their way in “feasting brothers with every kind of delicacy they can afford and the brothers give them gifts of cloth and money”. A century ago, we find another comment by British commentator, Muriel Marion Underhill, where she said that “the chief feature of this festival is to celebrate Yama’s dining with his sister Yamuna….and since Yama shut his house this day while visiting his sister, no one dying today will have to go to Yama’s abode.”

She records the ritual of gifts and of the grand meal but she also states that “some worship Yama at noon, making offerings to his image, and those who have the opportunity bathe in the river Yamuna”.

Since Yama and Yamuna were so important, we may also consult some more serious work by professor Sukumari Bhattacharji, whose famous book Indian Theogony gives a scientific study of our rituals and deities. She says that “in the early times, Yama was conceived chiefly as a twin, with Yami as his female counterpart. As he grew complex in stature, taking on malevolent traits, his partner became a malignant goddess, Nirrti, taking over the dark non-Aryan earth-goddess’s functions” and became associated with evil spirits.

Bhattacharya then traces how this Yami of the Taittiriya Brahmana became the river Yamuna in the Puranas, ie, the river of dark water or Kalindi. The early Aryans who had settled in the Sapta-Sindhu (Indus) region managed to traverse the Malwa plateau, but were apprehensive of crossing the Yamuna.

Also read: Durga Puja – Bengal’s Cultural Magna Carta

There were dark stories about the Yamuna and it was believed that mysterious, powerful people and many other challenges lay across this river. As we know from later accounts, once they overcame the Yamuna and then the Ganga, the Sanskrit speaking Aryas chose this Ganga-Yamuna Doab as their sacred land, “Arya-varta”.

Photo: Sandeep Kr Yadav/Unsplash, (CC BY-SA)

Some feel that the other brother-sister festival, Rakshabandhan, had risen most likely from (or had connections with) Naga Panchami since the two dates are usually very close to each other — during the height of the rainy season. This is when sisters prayed hard for the protection of brothers against snake bites. But the fear of snakes was far less in late autumn or early winter and this could not be the reason for the second festival for brothers and sisters, when many men would venture out for trade, occupation or war — now that the rains had ceased.

With the change of seasons, diseases invariably broke out, as happens during spring as well. This could be a provocation for sisters to pray, in order to ward off death and Yama, before modern medicine often forced Yama to defer his plans of action. This Bhai Dooj in the month of Kartika (October-November) marks the end of the season of festivals and rituals that had begun with Navaratri. This is also when akash pradeeps or sky lanterns are foisted on rooftops to guide spirits, while sisters in south India light lamps once again few days after Diwali, during Karthikai Deepam, to pray for their brothers.

America has now started having a ‘Sisters’s Day’ and a ‘Brothers Day’ in August, but these can hardly compare to our ancient traditions. Another attempt has been made in the West through a new “Brothers and Sisters Day” in May, but it appears to be one more occasion for the billion-dollar card industry to make profits.

So why does India remain unique in this celebration? The mark (tika) applied on the forehead of brothers during Bhai Dooj started originally as a charm against disease and death. To the extent possible, traditional rituals are still observed, with brothers being made to sit on the floor — rickety knees notwithstanding. Special seats are often made for then in many states, often with rice flour or on wood on even on handwoven mats.

Also read: Guru Purnima Has Its Roots in Buddhism and Jainism, Not Hinduism

The tika ceremony invariably follows age-old rituals and even the most modern sisters apply the same sacred paste and bless them with the same lighted lamp during aarti that their great-great grandmothers had done — with rice, fruits, flowers, betel leaves and nuts, and coins. While in Nepal, sisters put seven colours on their brother’s forehead, different regions of India follow their own customs.

Bengali sisters, for instance, place black tilak marks on their brothers’ foreheads, to ward off the evil eye and then apply sandalwood paste. This is followed by delicious dishes where India’s ‘unity in diversity’ comes to the fore. While special sweets called khajas were compulsory in Bengal, Maharashtrians invariably enjoy a sweet dish ‘basundi poori’.

The fact that such celebrations continue in India, despite giant strides made by science and medicine, speaks volumes of our history and culture. In the past, ancient Indian traditions mandated that women be married off quite far away, into the desired sub-caste to spread and preserve the vitality of the gene pool.

But if sisters lived at such great distances, there had to be mandatory festivals that brought the siblings together, otherwise, the strength of India and her timeless family system, would not survive. As for brothers, what could be a better incentive than a sumptuous meal, given with so much love and care?

Jawhar Sircar is a former India Administrative Service officer.

India’s Many Diwalis, Proof of the Unity that Comes Through Diversity

We have travelled a long way: with Narak–asura and Mahabali; with Lakshmi and her lotus and water elephants; wealth and gambling to the dark night of Kali and her Dakinis–Yoginis.

From Tagore’s beautiful words, ‘Ei Bharater Maha-Manaber Sagar-tirey’ (From the shores of the vast ocean of humanity, India) to Nehru’s ‘Unity in Diversity’, we have excellent poetic expressions and vivid descriptions of the wondrous plurality that personifies India. But we need to delve deeper into the process through which this unity was actually achieved amidst wide diversity and Deepavali or Diwali is a good case study of the process.

The first mention that we get about the celebration of shining lights is when Ramachandra returned victorious to Ayodhya, but the goddess Lakshmi does not feature in it. The final versions of the Ramayana, the Mahabharata and the Kamasutra of Vatsyayana appeared in the 3rd or 4th century AD. It is the last text that mentions night, when houses were to be illuminated with numerous tiny earthen  lamps. ‘Yakshas’ were short pot-bellied indigenous creatures who stood outside temples as guards or dwarpalas. The Jain acharyas, Hemchandra and Yashodhara, describe this ‘Yaksha night of lights’ and this means that Brahmanic Hinduism must have adopted and absorbed this popular local observance into its fold. But we still did not have a direct link with Lakshmi, unless she too arose from India’s native Yakshas like Kubera, the prime god of wealth.

Lakshmi was created by the Puranas and the Vishnu, Garuda, Linga, Padma and Skanda Puranas played a significant role in converting the ‘Deepavali’ of the Yakshas into her festival. We estimate this process to coincide with the Gupta period between the 4th and 6th century AD, which is more than a thousand years after the major Vedas were completed.

From history, let us now turn to geography. In the Hindi heartland, Diwali begins with Dhanteras and ends with Bhratri-dwitiya or Bhai-dooj after full five days. It is compulsory to acquire some expensive item like jewellery or even a household object on Dhanteras and, like Akshay Tritiya, six months before, such mandates ensured that the artisanal class gained their shares of the agricultural wealth. The next day is Chhoti Deepavali that is followed by the main Deepavali and Lakshmi Puja. Krishna is also invoked during this period through Govardhan Puja and the veneration of cattle finds special mention all through the centuries.

Bengalis and the east, however, do not observe so many events but the southern states and Maharashtra-Goa also follow this five-day worship. The focus shifts to the killing of the demon, Narak-asura by Krishna and his wife. This fiend had tormented the whole word, somewhat like Mahishasura, who was vanquished by Durga just three weeks before. Narak was indeed very troublesome because he had imprisoned 16,000 daughters of the gods and sages and the worried parents naturally invoked Krishna. Capturing women has always been a severe provocation, whether it be with Helen of Troy or Sita, or even when the poor girls of Nigeria were kidnapped by the Boko Haram. Interestingly, the Pitri-tarpan or the homage to ancestors that the Bengalis do on Mahalaya, is performed during this Diwali festival in south India. We all seem to remember our forefathers just before a tense battle begins! There are interesting sub-plots in the south, as this asura was incidentally defeated not by Krishna, but by his wife Satyabhama, who retrieved the situation after poor Krishna fainted on the battlefield. Does it not have shades of our mother goddess defeating a fellow asura, with Mahisha in his name?

There are exciting variants of this tale, as Andhra, Karnataka and Kerala mention Mahabali; there is even a Bali-pratipad and in Goa, huge effigies of Narakasur are built only to be set on fire, like Ravana. We have stressed on cleanliness and the ritual bath, which is done with a lot of oil in the south, while in  Maharashtra sandal paste is used. New clothes are a must and it is mandatory to clean the house and give it a fresh coat of paint.  This must be the earliest reference we get to about Swachh Bharat, but while Hinduism could mandate the cleaning up of one’s own body and home, it does not have any ceremony for the cleaning up of common places. In the Deccan, incidentally, people pray with equal fervour to Ganesha, Shiva and Vishnu, as they do to Lakshmi.

Telugus differ from Tamils and the last of their five days is called Bali-parthdbadha or Yama-dwitiya. Incidentally, Yama keeps appearing again and again in this time band, as even in Bengal Yamer tika or the mark to ward off the lord of death, is absolutely essential during Bhratri-dwitiya. This reminds us of the story of Nachiketa and his encounter with Yama in the Kathopanishad and the Yama connection also comes through the ancient legend of the King Hima. His 16-year-old son’s horoscope has predicted death by snake bite after marriage and the story is like that of Behula in the Mansa Mangal of Bengal. The interesting variation in Hima’s tale is that the son’s new bride beat Yama by bedazzling his serpent form with shining gems and jewels. This is supposed to be the ancient believed tale behind Dhanteras in so many parts of India and even the lighting of lamps is called Yama-deepdana, i.e. offering light to ward off Yama.

Azilises coin depicting Gaja Lakshmi standing on a lotus, 1st century BCE. Photo: Wikimedia

Let us return to Lakshmi, who according to the Puranas makes her first classic appearance before the devas and asuras, where they were churning the ocean to bring out amrita, the nectar of the gods. It is clear that Lakshmi has strong associations with water, the lotus and elephants, all pointing to the wet rice civilisation of India. This indelible character of our civilisation appeared only after the Yamuna was crossed by the so-called Aryans, and the marshes and jungles of the Ganga were cleared for cultivation. The concept of Gajalakshmi i.e, the goddess standing on a lotus with two elephants on either side who bathe her, is found as early as the first century before Christ, in a coin of Azilises, the 1st century BCE Saka king, which indicates the antiquity of this belief.

When there is agricultural bounty, there is wealth and the goddess is called by different names like Dhana Lakshmi, Dhanya Lakshmi and Gaja Lakshmi. Lakshmi is notorious for her restlessness and utter fickleness and Hinduism is a religion that has never shied away from accepting wealth and its creation to be integral parts of life. Dhanteras Diwali is the season of gambling and the question that arises is why do people gamble with whatever wealth they have acquired? The justification used comes all the way from Mount Kailash, where Parvati is said to have beaten Shiva in a game of dice. She had declared that whoever gambles on Deepavali would have wealth throughout the year, but frankly, bringing Parvati into Lakshmi’s festival appears far-fetched and gambling takes place during Diwali as people had money in their pockets after harvest.

Gokhale had said that “what Bengal does, Indians do later” and true to this, the Bengalis perform their Lakshmi Puja ahead of others, on Kojagori Purnima, which is a fortnight before Deepavali. But this early start does not appear to have impressed Lakshmi, who has not blessed this for almost half a century. Be that as it may, the Bengalis prefer to worship the dark goddess, Kali, on this occasion of amavsya (new moon) in the month of Kartika, which is incidentally the darkest in the whole lunar year. Stories abound of how ghosts come out and dance with rakshashas (demons) and pretas (spirits) on this dark night and on the preceding night of Bhoot Chaturdashi. Bengal quite enjoys this but in the rest of India a million lamps are lit to keep them away. It was mandatory to have images of blood-smeared ogresses like Dakinis and Yoginis next to that of Kali and funeral pyres or jackals and hyenas and all that was eerie and frightening. Dakinis have rather ghoulish connotations as Tantrik texts say they ate raw flesh, but Yoginis have more respectable antecedents and there are some temples dedicated to 64 of them, called Chaunsath Yoginis. The terrifying powers that go hand-in-hand with these deities indicate that they were probably malevolent forces, before they were deified and mollified (tushta). In fact, it is Ma Kali’s ferocity that endears her to the worshippers who invoke the fearsome mother to protect her children, with her prowess or Shakti.

We have travelled a long way: with Narak–asura and Mahabali; with Lakshmi and her lotus and water elephants; wealth and gambling to the dark night of Kali and her DakinisYoginis. The diverse traditions arose from different regional realities and viewed from this angle, they are actually several distinct events and commemorations that are celebrated around the same time. Brahmanism was common to all regions and it took centuries to weave them together into common strands of unity. It was able to persuade different local festivals to come together into an accepted broadband. Deepavali thus means different festivals to different people but at the end it is essentially one national celebration: of India’s mind-boggling diversity that invariably veers together towards a wonderful consensus, and unity is achieved through the free play of plurality – and that comes not by force.

Jawhar Sircar is a former India Administrative Service officer.

From Iqbal to Gandhi, Rediscovering What Rama Means for Indians

In the Indian subcontinent, when one talks about the triumph of truth over falsehood, the story of Lord Rāma’s war in Lanka and that of Imam Husain in Karbala (Iraq) have always been a part of folklore.

Note: This article was first published on October 19, 2017 and is being republished on November 7, 2018 on the occasion Diwali.

Diwali, the festival that celebrates the return to Ayodhya of Lord Rama after 14 years of exile in the forest, is a good time to recall Allama Iqbal’s short poem titled ‘Ram’. Consisting of six couplets, the poem is part of his work, Bāng-e-Darā (The Call of the Marching Bell). From Iqbal in a Sufi guise it is a very special tribute to Lord Rāma:

लबरेज़ है शराब-ए-हक़ीक़त से जाम-ए-हिन्द
सब फ़लसफ़ी हैं ख़ित्ता-ए-मग़रिब के राम-ए-हिन्द।

Labrez hai sharāb-e-haqīqat se jām-e-hind
sab falsafī haiñ ḳhitta-e-maġhrib ke rām-e-hind

The cup of India is full to the brim with the wine of Truth
All the philosophers of the Western world have acknowledged India

यह हिन्दीयों के फ़िक्र-ए-फ़लक रस का है असर
रिफ़अत में आसमाँ से भी ऊँचा है बाम-ए-हिन्द।

ye hindiyoñ kī fikr-e-falak-ras kā hai asar
rif’at meñ āsmāñ se bhī ūñchā hai bām-e-hind

It is owing to the refined thinking of Indians
That India’s stature is even higher than the sky

इस देस में हुए हैं हज़ारों मलकसरिश्त
मशहूर जिनके दम से है दुनिया में नाम-ए-हिन्द।

is des meiñ hue haiñ hazāroñ malak-sarisht
mashhūr jinke dam se hai duniyā meiñ nām-e-hind

This country has seen many people of an angelic disposition
Who have made the name of India recognisable in the world

है राम के वुजूद पे हिन्दोस्ताँ को नाज़
अहले-नज़र समझते हैं इसको इमाम-ए-हिन्द।

hai rām ke vajūd pe hindostāñ ko nāz
ahle-nazar samajhte haiñ is ko imām-e-hind

India is proud of Rama’s very name
To the discerning he is Imam-e-Hind

ऐजाज़ इस चिराग़-ए-हिदायत का है यही
रोशन तर-अज़-सहर है ज़माने में शाम-ए-हिन्द।

ejaaz is charāġh-e-hidāyat kā hai yahī
raushan-tar-az-sahar hai zamāne meiñ shām-e-hind

Such is the miracle of the light of righteousness
That the Indian evening is brighter than the morning elsewhere in the world

तलवार का धनी था, शुजाअत में फ़र्द था
पाकीज़गी में, जोश-ए-मुहब्बत में फ़र्द था।

talvār kā dhanī thā shujāat meiñ fard thā
pākīzgī meiñ josh-e-mohabbat meiñ fard thā

Accomplished in sword-play, unparalleled in bravery
Matchless in purity and spirit of love

To the Sufi, eternality is haqīqat,or reality – it is the ultimate station of a Sufi wayfarer in the path of God where he visualises his Lord. Iqbal sees India’s cup brimming with the ‘eternal wine’ of truth that philosophers of the West had also partaken of in their insatiable quest. In the second line of the first couplet, rām-e-hind means follower or admirer of India – in Persian the word rām has a meaning similar to a follower or admirer. For Iqbal, India is a land of sages, seers, scholars and intellectuals; he is appreciative of  the Indian mind’s search for eternality, knowledge and wisdom. This is what, according to Iqbal, had made India’s intellectual traditions soar higher than the heavens.

Allama Iqbal

In the poem’s second couplet, Allama Iqbal uses the term hindi (i.e. dwellers of Hind or India) for Indians, unlike some motivated politicians, who owing to their illogical reasoning, call them ‘Hindu’. Allama Iqbal in his Qaumi Tarana emphasises the same: Hindi Hain Ham, Watan Hai, Hindustan Hamara (Indians we are, India is our land).
In his anthologies, Iqbal composed poems on Guru Nanak, Swami Ram Tirth, Lord Buddha, Khwaja Moinuddin Chisti an
waja Nizamuddin Auliya, etc. He saw them as exemplars of piety, wisdom, syncretism, love, compassion and peace, due to whose words and deeds India’s name has been shining in the world for so long. And, more than anyone, it is the name of LordRāma that is worth mentioning. Says Iqbal, India is proud of the very name ofRāma in whom the discerning see the ‘spiritual master’ of India.

Lord Rāma exemplifies to the people of India the spirituality enshrined in Hindu scriptures and it is for that reason India is proud of Rāma, writes Iqbal. He sees in Rāma the guiding light which makes the Indian evening more luminous than the mornings elsewhere in the world – he is a warrior of truth with an unequalled dexterity in fighting  falsehood; purest of the pure, with unmatched depths of love and compassion. This is how Allama Iqbal sees  Rāma.

In the Indian subcontinent, when one talks about the triumph of  truth over falsehood, the story of Lord Rāma’s war in Lanka and that of Imam Husain in Karbala (Iraq) have always been a part of folklore. Be it the Ramlila performance or Muharram processions and majālis (mass gatherings), they reaffirm the belief of people that truth always triumphs – also that truth is always a call for peace and harmony.

If by way of traditional greeting the Muslim says as-salām-o-alaikum (may you be in peace and tranquility), the Hindu says Rām-Rām, which essentially communicates the sentiments of peace, compassion and blessing. However, Gandhi went one step further to argue that merely saying Rām-Rām would not serve the purpose of a sanatani — that ‘God’s grace shall descend on those who do His will and wait upon Him, not on those who simply mutter Rām-Rām’ (Young India, April 8, 1926).

But from the late 1980s, even the everyday uttering of Ram-Ram has given way to the political watchword of Jai Shri Ram, something Gandhi would never have accepted. He had given himself up to the spiritual essence that was the kernel of Ram-Ram, or Ram nam. How could he, who believed in a direct relationship with his lord thus, countenance Jai Shri Ram! Gandhi’s direct relationship with Rama, the epitome of truth, informed his views on Hinduism. He believed, ‘…Hinduism does not consist in eating and not eating. Its kernel consists in right conduct, in correct observance of truth and non-violence. Many a man eating meat, but observing the cardinal virtues of compassion and truth, and living in the fear of God, is a better Hindu than a hypocrite who abstains from meat.’ (Young India, April 8, 1926).

When Gandhi fell to the assassin’s bullets with the words, ‘Hey Rām’ (Oh Lord Rām!) on his lips, it was as if he was in communion with his lord, seeking only one thing – peace and compassion. It was that very LordRāma that Allama Iqbal invoked in his poem.

Muhammad Naved Ashrafi is a doctoralfellow at the Department of Political Science, Aligarh Muslim University, Aligarh. He tweets at @NavedAshrafi.