Doordarshan Telecasts ‘The Kerala Story’ After HC Declines Plea Against Screening

Congress MP from the state Shashi Tharoor called DD’s decision to air the film in election season “propaganda at its cheapest and worst”.

New Delhi: Hours after the Kerala high court refused to stay the telecast of The Kerala Story by Doordarshan (DD National), the communally sensitive film was aired on the channel on Friday, April 5 evening in the state.

The 2023 film, claimed to be based on a true story from Kerala, promotes the Hindutva conspiracy theory of ‘Love Jihad’ – according to which the Muslim community is deploying attractive Muslim young men to seduce Hindi women and convert them to Islam so that India eventually becomes a Muslim-majority country. Since the film’s Islamophobic content proved controversial at the time of the film’s release, a political row broke out in Kerala as soon as the Union government controlled DD National channel decided to beam it in the run-up to the 2024 general elections. The ruling Bharatiya Janata Party (BJP), driven by its Hindutva ideology, is aiming at a third straight win at the Centre.

News reports said activists from the ruling Communist Party of India (Marxist)’s youth wing, Democratic Youth Federation of India, “attempted to storm the precincts of the Doordarshan Kendra in Thiruvananthapuram on April 5 demanding that the national broadcaster rescind its decision”.

Not just the CPI (M) but the Opposition Congress too slammed the screening of the pro-Hindutva film in Kerala, calling it an “insult to the people of Kerala”.

“Hours before the film was aired at the scheduled 8 pm slot, chief minister Pinarayi Vijayan demanded that DD cancel the telecast. A petition was filed in the Kerala High Court to stop the screening, but the court didn’t issue an (interim) order, saying DD should have been given more time to respond,” reported the Times of India.

The report also underlined that both the leader of the opposition in the Kerala Assembly, V.D. Satheesan, and CPI (M) state secretary M.V. Govindan, shot off letters to the Election Commission of India, alleging that the telecast of the communally biased film was at the ruling BJP’s behest and “meant to appease a certain section of people ahead of the (general) elections”.

Also read: ‘The Kerala Story’ Is a Propaganda Film That Thrives on Shock Value

Congress MP from the state Shashi Tharoor called DD’s decision to air the film in the election season  “propaganda at its cheapest and worst”.

On April 5, hearing the petition filed by K.G. Suraj from Thiruvananthapuram seeking a directive to DD not to telecast it till the elections are over, the Kerala high court refused to pass an interim order to that effect. The petitioner had stated in his appeal that the party in power at the Centre wants to create bias in the minds of voters before the crucial elections.

However, the court, by refusing to stay its telecast, cleared the decks for DD to air it on April 5 evening as scheduled.

The court has posted the next hearing on the case on April 11.

 

On Doordarshan, a ‘Documentary’ About India’s Heritage That Treats Fiction as Fact

‘Dharohar Bharat Ki Punarutthaan Ki Kahani’ is nothing less than propaganda and cult worship of the Dear Leader.

A nation is an ‘imagined community’, wrote Benedict Anderson in his influential book Imagined Communities: Reflections on the Origin and Spread of Nationalism (1983). A nation is imagined, he argued, because its members feel a sense of solidarity with one another, even though the vast majority of them are strangers. Nations are not natural or pre-existing entities, but are modern social constructs. They are forged by the dominant classes in each society, who emphasise certain cultural, social and political ideas that ‘glue’ people into a sense of shared identity and belonging.

For every nation, the past plays a pivotal role in creating the ‘imagined community’. Stories about a nation’s past, including stories about its origins, shape its members’ collective memory and identity, creating a ‘national consciousness’. Certain historical moments, figures and symbols are elevated to a position of great importance within the imagined community. These help fortify the ideas, beliefs and values that are said to underpin a ‘national identity’. This is also why nations fixate on history curriculums so much.

History can of course be approached in many ways. There is no perfectly objective way of doing so, but some approaches are decidedly better than others. At one end of the spectrum are academic scholars in diverse communities, who lean on the latest evidence, make reasoned interpretations, and openly debate one another in peer-reviewed forums to evolve our knowledge of the past. At the other end are chauvinists who interpret the past with the objective of favouring a particular group, often wilfully ignoring or fabricating evidence. Their unashamedly partisan approach is led by a hegemonic sense of identity. The goal is to bolster pride, even supremacist pride, in a subgroup. If that happens to be the majority, it produces majoritarian politics at the expense of minorities. History seen from such insular points of view tends to inflate the fears, resentments, and tribal loyalties among its target audience, thereby exacerbating civil and communal strife.

India is now drowning in the latter kind of historical storytelling. A recent example is a Hindi film, clumsily titled Dharohar Bharat Ki Punarutthaan Ki Kahani (‘The Story of the Resurgence of Indian Heritage’). It recently aired in two 30-minute episodes on Doordarshan (whose charade of autonomy finally collapsed when it agreed to receive all its news from an RSS-affiliated agency). The film begins with some reasonable questions: Where did our ancestors come from? Where do the roots of our culture and civilisation begin? Shouldn’t a proud nation preserve the stories and heritage of its past? But the narrative is promptly derailed by partisan rhetoric: Who is taking up the burden of restoring to our heritage the respect it deserves? Who is preserving and rejuvenating it for future generations? None other than our own Prime Minister Narendra Modi ji!

Also read: India’s Heritage Is Not an Economic Problem to Solve

From there, the film descends steeply into travesty, as it reveals its skewed view of the dharohar (heritage) that’s worth preserving: Hindu pilgrimage sites, and memorials related to anti-colonial leaders favoured by Hindu nationalists. The film begins its account of India’s past with a story from Satya Yuga, when Shiva’s anger at Brahma and Vishnu lights up 12 spots on earth, each with a Shiva Lingam. The filmmakers simply present this as historical fact without any dates or context. This recurs throughout the film. It’s one thing for a village priest to relate things this way, quite another for the narrator of a prime-time documentary on national public television. Worse, one suspects that the filmmakers’ disinterest in separating fact from fiction isn’t accidental but deliberate. Indeed, the intellectually curious will find in the film practically no historical insights about Indian heritage. Let me share some examples.

The first and the foremost of the 12 spots mentioned above is apparently Somnath temple. The filmmakers remind us twice that it was plundered and destroyed often. That the film begins with this site is revealing enough. Its desecration by Mahmud of Ghazni in 1026 CE is central to Hindu nationalists’ animus against Muslims, and claims of the Hindu community’s lingering social trauma and memories of humiliation. But of course they never tell us that Hindu historical sources of that age are silent about this raid. Wouldn’t Hindu chroniclers have recorded and remembered such a painful event? Scholars have examined and offered reasons for how this event was evidently soon forgotten. Eight centuries later, its historicity was only discovered in dusty Turko-Persian sources by British Orientalists in the mid-19th century – and through them by modern Hindus. The alleged thousand years of memory and ‘social trauma’ was then invented and weaponised by modern Hindu nationalists for their partisan ends and emerging identity politics. Inheriting that legacy, this film too glibly claims that the revamped Somnath temple complex represents ‘our growing self-confidence and reawakened spirit’.

The film then jumps across yugas to the founding of the Mahakaal temple in Ujjain. According to a Puranic myth, Shiva had appeared here to kill an asura. But the film presents this too as historical fact. We see sumptuous drone footage of the upgraded sites: Somnath temple, Mahakaal temple, Pavagarh temple, Kashi Vishwanath temple, Kedarnath temple and the upcoming Ram temple in Ayodhya. Each is discussed with devotional awe and cloying piety. We’re told that perhaps God himself commanded that the foundation stone of the Ram temple be laid by none other than PM Modi ji – echoing Hindu kings establishing their divine right to rule – a task he carried out on national TV in full religious regalia in August 2020.

The segment on freedom fighters lovingly lingers on V.D. Savarkar, and Modi is shown offering prayers to his likeness at Cellular Jail on Andaman Island. The film takes us to Patel’s Statue of Unity and Subhas Bose’s new statue by India Gate in Delhi. While Savarkar, the godfather of Hindutva ideology, oddly dominates the many montages of freedom fighters who won us our freedom, Nehru is entirely missing – a comic, childish and sinister move, all rolled into one. This erasure is akin to the Indian government’s recent move to wipe all Mughals from school textbooks. It’s also reminiscent of Joseph Stalin vindictively erasing his ideological enemies from historical photographs.

Watch: Zafar Mahal: Once a Summer Palace, Now in Ruins

Gandhi’s stature with Hindu nationalists has declined over the decades, but he still remains un-erasable, for now. In this film, he plays second fiddle to Savarkar. We hear of plans to turn Sabarmati Ashram into a ‘world class’ attraction (a favourite term of the filmmakers). This means it will likely lose forever the austere realism of Gandhi’s former home. Likewise, we learn of plans to turn five places associated with Ambedkar into teerths, or pilgrimage sites. There is no mention of caste or untouchability, only his long struggle for ‘deprived classes’. The host, Kamiya Jani, continuing her relentlessly bland and whitewashed commentary in designer outfits, tells us that Ambedkar is a symbol of equality and was very fond of reading and writing. You don’t say! We do not learn from her that he called Hinduism a disease and exited it publicly to embrace Buddhism. But even then, the proud Hindus behind this film can’t ignore him. A little matter of electoral calculus, eh? We witness the botched-up restoration job at Jallianwala Bagh that was widely criticised in 2021. We watch Modi inaugurating a national war memorial in Delhi. A saccharine patriotism suffuses the film, evoking the last refuge of scoundrels.

Not a single heritage or religious site associated with Muslims appears in this film. Not even Sufi shrines, such as Ajmer Sharif or Nizamuddin Auliya, that have crossover appeal for Hindus. No Christian sites. No Buddhist sites. Not even the wrong kinds of Hindu sites – those with non-living temples or an excess of genitals on display. Are such heritage sites not worthy of investment? ‘No’ seems to be the implied answer in the film. It manifestly sees India as a pious Hindu nation. It brazenly shows the officially secular Indian state touting its vigorous investment in Hindu religion but not in other faiths. Upper-caste Hindu views of India’s past overwhelm all others. It’s amply clear what ‘imagined community’ and aspirational nation the filmmakers are reaching for.

This film about Modi ‘rejuvenating’ the nation’s long-neglected heritage is also deceptive in other ways. It comes months after his own Union minister of culture revealed in Parliament that 50 out of India’s 3,693 centrally protected monuments of national importance have gone missing. Yes, missing, as in untraceable! A disproportionate number of these are non-Hindu sites. A further 42 monuments were earlier deemed untraceable but have now been technically located, though the ministry is silent about their found state. Budgetary restrictions have meant that only 248 of these 3,693 monuments of national importance have security guards. The rest are fair game for vandalism and urban development led by unscrupulous builders and public officials. So much for protecting the nation’s dharohar!

Also read: In Bid to Make Bhubaneswar a World Heritage Site, Odisha Govt Destroys Priceless Ancient Structures

The film’s unabashed lack of equity, historical sense, or scientific temper also expose its actual genre: propaganda and cult worship of the Dear Leader, in the tradition of Leni Riefenstahl. The Dear Leader appears frequently, inaugurates, utters social and religious platitudes, does puja, and takes pride in the Disneyfication of various sites. Fawning, gushing visitor testimonies abound. He thinks his Central Vista vanity project and the renaming of Raj Path to Kartavya Path are acts of decolonisation, even as he inhabits that quintessentially colonial ideology of divide and rule. In conclusion, dear reader, save yourself from an hour of unremitting odium and tedium. Watch this film only if you’re an anthropologist, a masochist, or a true blue bhakt.

This sectarian film is in fact a symptom of the larger malaise that’s afflicting India and darkening its horizons. Benedict Anderson knew that of the many ways of forging an ‘imagined community’, the more salutary ones rely on secular identities, shared history, civic values, and inclusive social practices. Whereas relying on racial or religious identities to make a nation only produces strife-ridden polities. Yet experiments of the latter kind abound, including neighbouring Pakistan and Sri Lanka – and now increasingly, also India. Will enough Indians change course and avoid the abyss?

Namit Arora is the author of Indians: A Brief History of a Civilization.

Journalist Bodies Warn Against ‘Saffronisation’ of Doordarshan and AIR

In a statement, the NAJ and DUJ said that Prasar Bharati’s decision to rely solely on the RSS-backed Hindusthan Samachar news agency will “saffronise news in India to suit the ruling party and kill neutral and independent journalism”.

New Delhi: The National Alliance of Journalists (NAJ) and the Delhi Union of Journalists (DUJ) in a joint statement have expressed serious concern about the “virtual capture” of India’s public broadcaster Prasar Bharati by the Rashtriya Swayamsevak Sangh (RSS) through the news agency it backs, Hindusthan Samachar.

As The Wire has reported, Hindusthan Samachar has been contracted to supply news to both the All India Radio (AIR) and Doordarshan, which are run by Prasar Bharati. The little-known agency has been chosen over established ones like the Press Trust of India (PTI) and the United News of India (UNI).

In the statement, NAJ and DUJ said, “This move … will saffronise news in India to suit the ruling party and kill neutral and independent journalism. Hindusthan Samachar was born in 1948 to manufacture consent in favour of the RSS ideology, which dominates in the current ruling dispensation.”

Read the full statement below.

§

Caution: Saffronisation of Doordarshan and All India Radio

The National Alliance of Journalists (NAJ ) and the Delhi Union of Journalists, in a joint statement today, have expressed serious concern at the virtual capture of India’s Prasar Bharati, which runs both the Doordarshan and All India Radio, by the Rashtriya Swayamsevak Sangh (RSS), through its own news agency, Hindustan Samachar . This hitherto struggling newsagency Hindustan Samachar is now contracted to supply news to the national broadcasters in place of the national newsagency Press Trust of India (PTI).

This move is calculated to reduce the once premier news agencies the PTI and the United News of India (UNI) to insignificance. It will saffronise news in India to suit the ruling party and kill neutral and independent journalism. Hindustan Samachar was born in 1948 to manufacture consent in favour of the RSS ideology, which dominates in the current ruling dispensation.

Doordarshan and AIR have their own set of correspondents in the national and state capitals, assisted by a large bulk of news coverage by Press Trust of India (PTI) and United News of India(UNI), from India and abroad. However since the present government came into power the situation has drastically changed, phase by phase, with attempts to dictate terms to these newagencies. Prasar Bharti’s subscription to PTI has been stopped. UNI has been deliberately neglected, it’s finances are in disarray and many journalists have lost their jobs while some are working for a pittance.

In a joint statement today, the President of the NAJ S.K.Pande, General Secretary DUJ Sujata Madhok and Secretary General NAJ N.Kondaiah said that these moves constitute yet another challenge to the secular and democratic polity.

It may be recalled that Hindustan Samachar, a multi-lingual news agency, was founded in 1948 by Shivram Shankar Apte, a senior RSS pracharak and co-founder of the Vishwa Hindu Parishad along with RSS ideologue M.S. Golwalkar. Ever since the Modi government came to power, Hindustan Samachar has been a regular beneficiary of government advertisements and other forms of patronage, while earlier it was fighting for survival.

The move to give it the role of primary news supplier to the nation will further saffronise, communalise and polarise Indian society and politics. It constitutes a grave danger to political parties in opposition to the ruling party too.

Signed
S.K.Pande, President, NAJ and DUJ
Sujata Madhok, General Secretary, DUJ
N.Kondaiah, Secretary General, NAJ

Two Decades Later, Prasar Bharati’s ‘Strategic’ Amritsar TV Tower Far From Completion

Conceived in 2000 as a tower with a relay range of 100 km, it was expected to facilitate India’s soft messaging into Pakistan while also providing a boost to the local talent. However, the project has been mired in bureaucratic red tape.

Chandigarh: When India’s public broadcaster Prasar Bharati conceived the TV tower project in Punjab’s Amritsar district in early 2000, it had a strategic purpose.

The station – which involved the erection of a 300-metre high-powered transmission (HPT) tower with a relay range of 100 km – was to come up in Gharinda village located near the international border with Pakistan.

Official sources in Prasar Bharati told The Wire that the idea behind creating the long-range TV tower project was to transmit Indian programmes on Doordarshan and the All India Radio (AIR) service to Lahore (Pakistan’s second most populous city) and beyond.

The idea was to counter Pakistan’s “anti-India propaganda” and also facilitate India’s soft messaging into the neighbouring country, insiders added.

Lahore, which is just 50 km west of the international border, has linguistic and cultural proximity with Amritsar, which gave this project a further edge.

While the construction of the tower began in 2006 with an estimated budget of Rs 20 crore, it has not been completed yet. The official documents show that a sum of Rs 12 crore has already been spent.

The tower was completed in 2010 but was tilted at top. A portion of it was demolished three years ago in 2020, but the pending work remains unfinished so far.

A smaller 100-metre tower was also built close to the 300-metre tower site, the purpose of which is not clear.

The FM-transmitting antenna was removed from the higher tower and installed on the shorter tower – but it failed to serve even Amritsar town, let alone Lahore, said Mohali-based retired civil engineer and transmission relay expert Harjap Singh Aujla.

Aujla, who has for years been pushing for the project to be completed, told The Wire that it is probably the most delayed project in the history of Prasar Bharati.

“Pakistan has often targeted India through its radio service. The Amritsar project provided a strategic edge to counter the propaganda of the neighbouring country, which has yet not been fully harnessed,” he added.

Aujla also said the Indian government should have kept its tower height to more than 500 metres to cover a bigger part of Pakistan.

“Also, it should have been made of concrete rather than steel. But it appears that the public broadcaster has never prioritised this project despite huge sanction of funds,” he added.

Kulwant Singh Ankhi, the convener of Amritsar Vikas Manch, which is also demanding the project’s completion, told The Wire that the inordinate delay on Prasar Bharati’s part is beyond reasonable justification now.

Prasar Bharati headquarters. Representative Image. Credit: File photo

“While this project may have strategic importance, it has huge local relevance too,” he added.

He said Amritsar is the cultural hub of Punjab. But it has no exclusive public broadcasting infrastructure of its own so far.

“If this project was made operational on time, it would have helped so much local talent to grow apart from giving meaningful content to the masses,” said Ankhi.

Currently, AIR has transmitting stations in Punjab’s Jalandhar, Patiala, Ludhiana and Bathinda. The capital city of Chandigarh has both Doordarshan as well as an AIR station.

Ankhi said that the completion of the tower is one part of the project, which also needs a relay station, studio and other infrastructure to broadcast relevant content both for TV and radio.

What transpired behind the scene?

The official documents accessed by The Wire revealed that the administrative approval and expenditure sanction was granted to Prasar Bharati’s North Zone office in June 2005.

A firm by the name of M/S Alan Dick & Company India Private Limited was hired for supplying, installing, testing and commissioning the 300-metre-long steel TV tower in Amritsar’s Gharinda village for Rs 17 crore.

The firm was later paid Rs 12 crore against its running expenses spent towards the completion of the said job work.

The official documents however suggested that despite payment to the firm, there was a problem with the project’s execution.

In 2016, a private firm M/s Stup Infra was hired on a Rs 30 lakh contract for physical inspection and identification of the defects in the construction of the said tower.

In addition, a team of the Indian Institute of Technology (IIT) Roorkee was also hired on a Rs 5 lakh contract agreement for structure safety analysis and strengthening of the tower. This team, as per the past media reports, found the upper portion of the tower tilted – and it was later demolished.

It was not until 2019 when a public sector undertaking, Broadcast Engineering Consultants India Limited (BECIL), was hired for the completion of the pending work of the tower at a budget of Rs 6 crore.

However, last year’s correspondence between the office of the additional director general (North Zone) and director general, Doordarshan, revealed that the BECIL too has not completed the work as per the agreement; hence no payment was released.

Since no construction activity is happening at the site right now, it is not clear if BECIL is still working on the project.

The internal correspondence of Prasar Bharati now mentions the tower height at 282 metres, down from its earlier 300-metre height.

The Wire contacted previous Prasar Bharati CEO Shashi Shekhar Vempati (2017-22) but he said he was not aware of the project details now.

When Prasar Bharati chief executive officer (CEO) Gaurav Dwivedi was asked about the project’s expected completion and how it will be put to use, he said someone from his staff would share details.

The Wire received a statement from Gaurav Chaturvedi, deputy director engineer (Tech), Prasar Bharati, who said that the project work is set to resume this month.

“Approximate time limit of completion of balance tower work may take around eight months,” he further stated.

On what caused the delay in the project, he said there was a delay in work by the first contractor M/s Alan Dick.

“The tower was not complete and also there was a verticality issue in the tower. A report from IIT Roorkee was taken and it was decided to get the balance work of the tower done by a different agency. M/s BECIL was awarded the balance work in 2019. Due to COVID-19, the work was stopped at the site on 11.09.2020 under the Force Majeure clause,” the statement says.

He said BECIL has agreed to resume the balance work of the tower within the terms and conditions of the published tender as well as the mutually signed agreement.

The North Zone office of Doordarshan has constituted a committee of DDGs to go through the matters and expedite the appropriate plan to complete the balance work of TV Tower, he added.

Watch | Dukhdarshan: A Satirical Look at the Highs and Lows of the Gujarat Election Campaign

If you missed out on what Narendra Modi and Amit Shah, Rahul Gandhi and Arvind Kejriwal got up to in Gujarat this past month, this handy not-quite-the-news bulletin is just what you need.

If you missed out on what Narendra Modi and Amit Shah, Rahul Gandhi and Arvind Kejriwal got up to in Gujarat this past month, besides the Election Commission and the media, @ms_medusssa has you covered with her handy not-quite-the-news bulletin.

AAP MP Gives Notice in RS Demanding Release of ‘The Kashmir Files’ on YouTube, DD

Several leaders have argued that airing the movie on YouTube and DD would only promote a “divisive agenda”, adding that the film does not tell the truth about the exodus of Kashmir Pandits.

New Delhi: The Aam Aadmi Party (AAP) on Monday, March 28 continued with its demand to upload The Kashmir Files on YouTube and Doordarshan, even as several Muslim leaders questioned if spreading the reach of such a ‘divisive’ movie was the right thing to do.

AAP MP Sanjay Singh gave a zero hour notice in Rajya Sabha, demanding the release of the Vivek Agnihotri-directed movie on YouTube and Doordarshan.

During his address in the Delhi assembly, AAP convener and Delhi chief minister Arvind Kejriwal asked the BJP MLAs, who were demanding the movie be made tax-free in Delhi, to upload it on YouTube and make it free for all.

The AAP leader also criticised both Prime Minister Narendra Modi and the BJP for using the movie for political gains. “Some people are earning crores in the name of Kashmiri Pandits and you (BJP) have been sticking posters of the film,” he was quoted as saying in the House.

Later, addressing a press conference, he said, “In the last 20-25 years since the Kashmiri Pandits’ exodus, the BJP has been at the Centre for 13 years. For the last eight years, the BJP has been at the Centre. Has even one family been rehabilitated in Kashmir? No one. What the BJP has done is politicise the issue.”

“Over Rs 200 crores have been earned. We have two demands: put this movie on YouTube so that everyone can watch it, and whatever has been earned should be used for the rehabilitation of the Kashmiri Pandits. And second, concrete steps should be taken so that Kashmiri Pandits can go back to their homes,” he said.

Also read: Ayodhya and AAP: How Kejriwal Is Normalising Hindutva as a Way of Living

Following Kejriwal’s remarks, some BJP leaders, including Delhi unit president Adesh Gupta, Assam chief minister Himanta Biswa Sarma and Manipur chief minister N. Biren Singh accused him of adopting an “anti-Hindu” stance.

Meanwhile, several leaders have argued that airing the movie on YouTube and Doordarshan would only promote a “divisive agenda”, adding that the movie did not depict the truth about the exodus of Kashmiri Pandits. Therefore, it would be counter-productive to upload it on platforms with a mass reach.

Several Twitter users have also raised concerns over releasing the movie on YouTube, saying the move would affect the “social harmony of the country”.

Zeeshan Pathan, district president of Nandubar (Maharashtra) unit of AIMIM, said that such a move was aimed at only taking away the votes.

Prasar Bharti’s ‘Rebuttal’ on Fewer Urdu News Bulletins Misleading, Say Staffers

While The Wire had reported about reduction of bulletins on the main Urdu channel, the public broadcaster has listed Urdu bulletins that are being broadcast on other channels of the network. 

New Delhi: On January 15, Prasar Bharti, while responding to a video story published by The Wire, tweeted, “Purveyors of Fake News may pay attention to this thread detailing Urdu News Coverage across the Doordarshan Network”. The Wire’s story was about the discontinuation of eight Urdu bulletins by the public broadcaster in the wake of the pandemic. Several contractual and casual employees had told The Wire that while regular programmes in other sections have been restarted, those under the Urdu division have not. Based on these inputs, The Wire had asked, “Is Prasar Bharati Overlooking Urdu Language?”

However, instead of rebutting the claims made in the report, Prasar Bharti, in a series of tweets listed the Urdu bulletins that are being broadcast on channels in its network such as DD Kashir, DD Bihar, DD Urdu, DD Yadagiri, DD Bangla, DD Uttar Pradesh and DD Madhya Pradesh. The Wire‘s report did not contend that Urdu bulletins are not broadcast on other channels of the DD network but had said a substantial number of bulletins have been discontinued on DD Urdu.

Ashraf Ali Bastavi, who is an impanelled assistant news editor (enlisted to do editing work on a casual basis) with DD News (Urdu Desk) and has worked with the channel for over a decade, says, the point is not how many bulletins are being broadcast on other channels of the network but reducing the number of bulletins on the main Urdu channel. “Prasar Bharti’s claim is misleading as it hides the fact about discontinuation which has affected several Urdu journalists like me,” he said.

Several other contractual, casual employees and impanelled Urdu journalists that The Wire spoke to echoed Bastavi’s claim. According to a current employee of DD Urdu, who requested anonymity, before the pandemic, the channel would broadcast 10 bulletins a day. Now, it has been reduced to just two. “It is not that staff are not there but the bulletins have not been restarted again, unlike the Hindi and English bulletins,” he added. He also claimed that instead of being assigned Urdu related work, some of the Urdu staffers are made to work in other divisions as there is not enough work in Urdu.

Another staffer of DD Urdu said, “If an Urdu staffer is shifted to another division, suppose they make a mistake – they may not be as efficient as the other employees in the said languages – the Urdu staffer can be suspended, saying they are not competent.”

He also said that the point is not how many bulletins are being broadcasted on the many channels that are part of DD’s network but how many bulletins are being broadcasted on DD Urdu. “Suppose Prime Minister Narendra Modi’s ‘Mann Ki Baat’ is aired on 50 channels, can we claim 50 ‘Mann Ki Baat’ programmes are being broadcast?” he asked.

“We must have written dozens of emails and letters to the CEO as well as the director general, there is hardly any response from the authorities,” said a senior anchor who had been working with DD Urdu for over a decade. “While casual employees in other languages have resumed working in different shifts, we are yet to receive any response,” said she, hoping their plea is heard soon. She also said several bulletins which have been listed by the Prasar Bharti are produced by regional stations and have nothing to do with DD Urdu national desk.

These journalists have been demanding the resumption of bulletins for over a year now. Based on their demand in February last year, leading Urdu daily The Inquilab had reported that there seems to be a “planned conspiracy” to totally shut the Urdu news bulletin. Taking suo moto cognizance of the report, Atif Rasheed, then vice chairman of the National Commission for Minorities (NCM), had issued a notice to the DG, Doordarshan.

Speaking to The Wire, Rasheed said, “I don’t know the current status of the case as my term has ended and I am no longer part of the commission.” However, he maintained that the DG had replied that the bulletins will be resumed as soon as the situation is “better”.

The Wire also contacted the NCM chairman Iqbal Singh Lalpura for an update but was informed by his personal secretary Bhupendra Singh that the chairman is on an official tour and will get back after a few days. The story will be updated as and when a response is received.

Since the issue remains unresolved, Urdu journalists have also started a letter-writing campaign to the Prasar Bharti CEO, requesting the resumption of full Urdu services by the All India Radio and DD News Urdu desk. Meanwhile, officials of several institutions working for the promotion and development of Urdu, such as the Ghalib Institute and the Delhi Urdu Academy, have written to Shashi Shekhar Vempati, CEO Prasar Bharti, to support the journalists’ demand. However, they are yet to receive any reply or assurance.

Letters requesting DD to resume news bulletins in Urdu.

The Wire tried to contact the Prasar Bharti CEO as well as the director-general of DD News for their response, but they could not be reached. The story will be updated if a response is received.

The Case for Harnessing Soft Power, or Why India Cannot Be Insular

We must ask ourselves why we are not on the cutting edge of soft power like Korea with K-Pop, China with TikTok, or Japan with anime.

This is an abridged version of the second Krishna Bose Memorial Lecture delivered by Nirupama Rao, a former foreign secretary and ambassador of India, in Kolkata on December 26, 2021. It has been slightly edited for style. 

Power, throughout history, has been defined as the strength of the mighty and hegemonic, rather than the subtle magnetism of civilisational strength. Hard power is the default; soft power is the Cinderella in the story. It is argued that hard power is the bedrock from which soft power draws its effectiveness, durability and reach. That without it, soft power has little sway, strength or viability.

While there is some validity in the last argument, it should still not take away from the need for India to better deploy the portfolio of its soft power assets, in order to advance long-term strategic aims and interests. The old Hindi saying sums it all up: ‘Jahan kaam aaye sui kaha kare talwari (If a needle suffices, why use a sword)?’

Harvard professor Joseph Nye defines soft power as “the ability to obtain preferred outcomes through attraction rather than coercion”. Its major characteristics, as Nye outlines, are “culture (when it is pleasing to others), values (when they are attractive and consistently practiced) and policies (when they are seen as inclusive and legitimate)”, where you move from exporting fear to inspiring optimism and hope.

Soft power encapsulates the strategically positioned use of communication, visual media and the spoken word in order to shape the discourse concerning the country. It is in essence ‘discourse’ power, a means to become, what in modern terminology is, a stand-out ‘influencer’ of opinion in favour of your country, organisation, or group, persuasively and credibly.

For India, that discourse power must be tied to the strength of governance, constitutional values, openness, sensitivity in dealing with minorities, the dynamism of our economy, the cleanliness and ‘smartness’ of our cities, the protection of human rights, the attraction of entertainment, style and fashion, the high standards of universities and education, tourism and heritage conservation, and environmental protection.

Also read: Why is India’s Soft Power Still Untapped?

Soft power, based on the civilisational ethos of India and Indian culture, works as an aggregator for the national interest when accompanied by the evidence of real developmental progress on the ground, of the radical transformation of Indian lives for the better. If we see our image in a giant reflecting pool filled with pictures of a glorious past that is fast-forwarding India into a future imagined as even more glorious, we may be losing the plot. There is a need for some introspection here.

Years ago, management ‘guru’ Sumantra Ghoshal, spoke of what he called for organisations and companies, “the smell of the place”. The smell of a place, he would say, is what you size up in five minutes of entering it, whether it is constrained by the dreary desert sands of habit, or whether it emphasises aspiration and legitimate ambition, self-discipline, ease of doing business, modernity, efficient state capacity, a whiff of exhilaration, ample doses of mutual trust and energy. The smell of a place is determined by the context rather than the people who populate it. It is the context in which we function as a society and a country. It is the “smell of the place” that the outsider gauges when he enters the country and determines the extent of your attractiveness and soft power.

India could take a cue from Korean soft power which is now the talk of the town. Korean pop bands are crowd-catchers across the globe. Audiences in India are learning Korean. South Korea’s soft power is enabling carve-outs to promote Korean interests in a number of transnational situations, with a growing premium being placed on South Korea’s status as a robust democracy. As a recent Carnegie report concludes, “South Korea provides a new model of what a 21st century Asian country can look like: an advanced economy mixed with an ancient civilisation that is at once irrevocably democratic, technologically innovative, and culturally vibrant.”

Members of the K-pop band, BTS perform on ABC’s ‘Good Morning America’ show in Central Park in New York City. Photo: Reuters/Brendan McDermid.

Across the world, we have 38 Indian Cultural Centres, established by the Indian Council for Cultural Relations (ICCR). Their numbers are not commensurate with India’s size and weight on the global stage. In the US, which remains a key global influencer and where discerning audiences in the capital Washington DC would avidly flock to lectures, seminars, readings, exhibitions and performances relating to India at an institution that is a veritable House of Indian Culture, we are yet to establish a Cultural Centre.

China scores higher on the global soft power index than India does. Over the last few decades, China has consciously sought to ‘soften’ its image abroad and receive ‘respect’, using the appeal of Chinese art, architecture, cinema, literature, universities, and its behemoth economy. Several Confucius Institutes have been established also in the furtherance of this aim. Even if these efforts may not entirely aid China’s charm offensive because of the authoritarian nature of the Chinese state, the vast expenditures made on soft power diplomacy make for considerable impact. Our state capacity – in terms of infrastructure, investment promotion and monetary resources – is behind China’s in this field.

There are some areas in which India needs to invest more in ensuring the effectiveness of her soft power. For instance, as the largest democracy in the world, India has no international television channel that represents the country in the world. The BBC is Britain’s best global advocate in the cosmopolis that defines the borderless space we inhabit today. Al Jazeera is literally, a force multiplier – a sophisticated voice – for Qatar across many geographies. We need an Indian voice that speaks an international, 21st century idiom. Our national channel, Doordarshan, desperately needs a makeover. It has the capacity, knowledge power and resources to become our international channel.

Also read: Review: Rescuing the Debate on Indian Soft Power from Joseph Nye

There is a predilection among the bureaucracy to follow established precedent because it is a safe harbour, and a risk aversion that we wear as default. Big countries with real power aspirations must dare and do. The sophistication of presentation and the embrace of spectacle in our cultural outreach is a necessity. Like Meiji-era Japan, today’s India must scour the whole wide world for new ideas and best practices in communication and image projection. The capacity to adapt, innovate and embrace change should be a constant.

One of the areas for focus in developing our soft power is ‘development diplomacy’. The ministry of external affairs has, since 1964, administered the Indian Technical and Economic Cooperation Programme (ITEC, as it is popularly known), involving education and training of students and young professionals from developing countries. This is a programme that has built enormous goodwill for India over the years. The expansion of such programmes should be a strategic necessity, together with the Development Partnership Initiative of the ministry of external affairs, as also the upgrading of our tertiary learning institutions to host more foreign students, so that their numbers in our country increase. Here again, the present numbers are no match for the students from abroad who flock to Chinese institutions of higher learning.

Our neighbourhood of South Asia is a natural environment into which our soft power extends. There is no doubt about the shared cultural universe of South Asia, and the impact of Indian entertainment, music, dance, poetry and cuisine in the region, spurred on by interactive historical experiences, shared ethnicities, linguistic and religious connectivity. But dissonances in political relationships, a low trust quotient, shortcomings in capacity, and even missteps, in Indian diplomacy over the decades, bureaucratic delays in implementation of aid projects, deficiencies in infrastructure linkages, trade and commercial interaction, and the overall lack of regional integration make for an imperfectly imagined South Asia. The absence of a South Asian Commons, and the development of a shared South Asian consciousness is a direct offshoot also of the failure of SAARC or the South Asian Association for Regional Cooperation. As SAARC has receded into the shadows, India’s Act East policy which is oriented toward Southeast Asia and the ASEAN countries, or its Indo-Pacific focus, is more in the spotlight and has gained traction. One need not object to either the Act East initiatives or those concerning the Indo-Pacific, but the shelving of the idea of South Asia – a region meant to be an integer – is unfortunate.

What then is the power of soft power?

‘Powerful’ soft power, despite cultural richness, is only multiplied when we project the image of a dynamic, progressive, democratic, equitable society that is a responsible stakeholder in world politics and a contributor to the global public good. As Australia’s Lowy Institute defines it, resources like economic and military capability, resilience and future potential, combined with measures of influence like cultural and diplomatic, defence networks and economic relationships, together make up the power of a state.

Our policymakers, experts and thinkers must work on a map for the future that plots all these points and charts routes and pathways to these destinations. We must ask ourselves why we are not on the cutting edge of soft power like Korea with K-Pop, China with TikTok, or Japan with anime. We must develop international brands like Uniqlo, or an Emirates airline. We cannot be insular, prisoners of ideas that have outlived their shelf life, comfortable with the precedent and afraid of risk, preferring our giant echo chamber. We must understand the essence of being ‘modern’ and turn the clocks forward so as to catch up for lost time.

Nirupama Rao is a former foreign secretary. 

Bihar: EC Doubles Broadcast Time Allotted to Parties Ahead of Polls Amid COVID-19

The state will go to polls in three phases on October 28, November 3 and November 7, respectively. The counting of votes will take place on November 10.

New Delhi: The Election Commission on Friday doubled the broadcast time allotted to recognised political parties in Bihar on Doordarshan and All India Radio during the upcoming state assembly polls in view of the COVID-19 pandemic and the enhanced relevance of “non-contact based” campaign.

Each recognised national and regional party will be given a base time of 90 minutes. The facilities will be available from the regional centre of All India Radio and Doordarshan and relayed by other stations within Bihar, it said.

The additional time to be allotted to a party has been decided on the basis of its poll performance in the last Bihar assembly election in 2015.

“A base time of 90 minutes will be given to each national party and recognized state party of Bihar uniformly on the regional kendras of Doordarshan network and All India Radio network in Bihar,” the commission said.

No party will be allocated more than 30 minutes in a single broadcast session.

Also read: BJP and LJP Are Hacking Away at Nitish Kumar’s Influence, Perhaps Irrevocably

The period of the broadcast will be between the last date of filing nominations and two days before the date of polling in Bihar.

The state will go to polls in three phases on October 28, November 3 and November 7, 2020, respectively. The counting of votes will take place on November 10, 2020.

“The Prasar Bharati Corporation in consultation with the Commission will decide the actual date and time for broadcast and telecast. This will be subject to the broad technical constraints governing the actual time of transmission available with the Doordarshan and All India Radio,” the poll panel said.

The parties will be required to submit transcripts and recordings in advance.

“In addition to the broadcast by parties, the Prasar Bharati Corporation will organise a maximum of four-panel discussions and/or debates on the Kendra/Station of Doordarshan/All India Radio. Each eligible party can nominate one representative to such a programme,” the commission said.

Watch | Voice Artists Shammi Narang, Rini Simon Khanna On Being the Voice of the Metro

The former Doordarshan TV news presenters at Doordarshan they talk about their journeys and how they became the voice of metro trains around the country.  

Shammi Narang and Rini Simon Khanna started their careers as students. Narang got this first break as a radio presenter in Voice of America while he was still in college and Khanna become a radio presenter at All India Radio’s Yuva Vani at the age of 13.

Later, both of them became TV news presenters at Doordarshan. In this short video, they talk about their journeys and how they became the voice of Metro trains around the country.